Hacker and Muldoon, Hacker and Muldoon – The Vault

**** (4 stars)

Hacker and Muldoon are two writers with differing methods, inspirations and priorities, but they have one similarity: an unfinished piece of work. Unified by the pressure of deadlines from the publisher, they attempt to finish their masterpiece and consequently chaos ensues. Olly Shermer and Andy Mckeane have created a delightful 45 minute tale that is a refreshing change from all the heavy theatre and mediocre free stand up comedy the Fringe has to offer. Light jokes and humorous physical acting keeps the audience comfortable in the musty and rather tiny venue. Shermer and Mckeane (who play Hacker and Muldoon themselves) do well to battle against the outside noise that filters into the room showing professionalism that is admirable under the given conditions.

You can’t help but think this production is somewhat autobiographical, since it is easy to imagine Shermer and Mckeane themselves sitting at a table identical to the one used, thrashing out disposable ideas and hoping to stumble across a gripping story line. However, autobiographical or not, they both show a talent in their writing without being preachy or ambitious, as many productions are. Of course, they are no Shakespeare (who is mentioned with a mocking tone by Hacker) but to make fun of murder is to be brave and it is done with such passivity that it creates much amusement, particularly at the point when Muldoon pretends to be dead during a remorseful monologue from Hacker.

With a cast of three and a production team of few more, there was a pleasant feeling of intimacy during the show as the audience was aware that the element of surprise was somewhat removed due to the limited room and cast. For some this may be boring but I welcomed the change of pace, the show did not aim to shock or appal, instead it aimed to please and told a tale that I am sure any writer would appreciate. It should not be assumed that the lack of moral message detracts from the quality of the show; it is simply not that kind of production. This was a lovely way to spend an hour after dinner and before a night out, a perfectly quaint and joyful show.

Laura Jones